And The Wind Begins To Moan

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Revision as of 06:21, 5 November 2025 by WillianDonaldson (talk | contribs) (Created page with "<br>Midnight - not a sound from the pavement. She is smiling alone. In the lamplight, the withered leaves gather at my toes. And [https://wiki.voice-technology.nl/index.php/User:WillianDonaldson MemoryWave Community] the wind begins to moan. Memory - all alone within the moonlight. I was stunning then. I remember the time I knew what happiness was. Let the memory dwell once more. Every street light seems to beat a fatalistic warning. And shortly it will be morning. Dayl...")
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Midnight - not a sound from the pavement. She is smiling alone. In the lamplight, the withered leaves gather at my toes. And MemoryWave Community the wind begins to moan. Memory - all alone within the moonlight. I was stunning then. I remember the time I knew what happiness was. Let the memory dwell once more. Every street light seems to beat a fatalistic warning. And shortly it will be morning. Daylight, I must watch for the sunrise. And i mustn't give in. And a new day will begin. The stale chilly scent of morning. One other day is dawning. Of my days in the solar. In case you touch me, MemoryWave Community you may understand what happiness is. Look, a new day has begun. This, the principle Torch Track from the musical Cats, is the only quantity in the present that does not take its lyric from T.S. Eliot's Old Possum's E-book of Sensible Cats. The lyric is, not less than primarily, composed by Eliot, but it comes as a substitute from Prufrock and Other Observations a 1917 collection aimed at an grownup audience, the place the OPBoPC targeted kids.



Given the erudition and obscurity of Eliot's grownup poetry, it's not stunning that whereas the opposite songs within the present are simply the poem set to music, there are some significant changes - all simplifications- between this and its source poem Rhapsody on a Windy Night. As a madman shakes a useless geranium. I've been unable to seek out any attribution for who did the adaptation, unless it was Andrew Lloyd Webber himself - this seems unlikely, given the fact that he has by no means been known as a lyricist, though not impossible - I'd personally be inclined to speculate they are the work of Don Black who was most intently related to working with Lloyd Webber (collaborating with him on the show Song and Dance which was concurrent with Cats), though given his private relationship with Elaine Paige, who was to play the lead and sing the track, it is attainable that Tim Rice did the job. Whoever penned the phrases, Memory turned the very best identified, and most recorded track from the libretto, with the important performance probably being that of Barbra Streisand, somewhat than either Paige or the opposite lengthy-operating female lead, Marti Webb.



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