Genshin Impact

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Though the complexity of physical combat isn't entirely deep, it's the tactical side of things where most of the focus is placed. The continuous push for elemental buffs and certain status ailments on your enemies, made possible when you combine two or more elements in a given situation. Come across foes that are comprised of ice? Best to rid their armor with a character specializing in fire abilities, but not before having that interact with wind and topping it off with a clash of an electric super move that causes you to chain together damage to nearby enemies. While you can mostly get by simply throwing everything but the kitchen sink at things, later on the game does require players to think more strategically about the kind of elemental properties they want to wield. More importantly, when it might be best to use specific abilities -- some running on a cool-down, others requiring a slightly lengthier charge up. But even at its most basic level, when taking out the elemental mechanics and the desire to multiply one's damage output, there's a simple pleasure in seeing your character hack-and-slash away. A more satisfying sight when such encounters have you surrounded on all fronts -- some enemies even trying to stay back so as to unleash their own area-of-effect or elemental-based ailments.

But perhaps the most crucial consolation in this part especially is indeed the breadth of content on offer in Genshin Impact. From environmental puzzles to work out, to small enemy camps to clear, to brief challenges that reward another chest to open, even just taking a glance at the map and spotting a more conspicuous landmark. To venture to said landmark and find a higher-level and [thankfully] more aggressive boss show up. Most of these content placements do feed back into the continual progression of XP and AR and currency (and of the game doing its subtle best to convince us to drop some money into the Gacha side of things). Like its inspirations, some of these are more blatant and unapologetic than others. But where Genshin's true purposes may not always be purely innocent in nature, what stops the experience from turning in sour or predatory most of all, is the thoughtful craft at which the world is structured. How, like Breath of the Wild, there's no right answer to exploring in of itself, but there's an answer to such things like "how do I get that collectible when it's all the way up there?"

A SLG game updates I'm thankful for in 2020 is one that was met with universal critical acclaim and extremely-divided fan reactions: The Last of Us Part II. There are elements of this game that can be legitimately criticized, but personally the good outweighed the bad. But while I would argue this is overall a great game by most objective standards, I'm thankful for it because of more personal reasons. The original game was a topic of deep discussion with my other half so naturally we were anticipating this release. Playing through the game together was a good bonding activity and led to hours of discussion about the character choices and the storytelling approaches used in The Last of Us Part II.


On the limited Character Event Wishes, there will be a featured five-star that is only available for a limited time during their own event series (usually three weeks at a time, with occasional reruns on later dates for another three wee

There's no greater a highlight than a moment around fifteen-ish hours into wandering the world. Having already established the omnipresent "the world is one big environmental puzzle" motif at the heart of Genshin Impact and successfully completing a near two kilometre trek to a new region, to activate another beacon filling in more of the map, only to spot one of thousands of optional collectibles atop an incline of rocks; a few seconds of climbing later and off in the distance, another beacon. A subtle indicator -- of which the game does a great job at allowing players to organically discover parts for themselves -- that hinted not only towards another environmental conundrum, but also of what may lie beyond. Even then: what other little moments will distract me. It's a truly great, out-of-the-blue moment but another point in Genshin Impact's favor. How, indeed like Breath of the Wild before it, the journey becomes as pivotal and as fulfilling as the destination. Ultimately, the marvel of seeing yet another perspective on the vast world before you. Before long, you're ready to plot another course and begin that journey all over again.

But as alluded to near the beginning of this review, Genshin Impact does falter at the point where it seems the game is destined for undeniably phenomenal heights. Not entirely a deal-breaker or one that takes the player completely out of the accomplished immersion of its world or even its combat. But when totted up, does signal a game that could've used a bit more checking-over. When it comes to tackling some of the more technical components, Genshin Impact drops the ball one too many times. Even if you were to disregard the nature of the narrative or the way in which a group of characters can, at their worst, talk extensively (and absently off-screen worst of all), there's a notable disconnect when the game, for example, continues to refer to your male sibling character as "she" or "her." It isn't the only basic error that crops up with many an instance of dialogue cutting off mid-conversation, not matching up with what's written on-screen and at one point, a mere line of dialogue getting stuck on-screen for the rest of one's play session.