Wolfgang von Kempelen's Speaking Machine (1769): Difference between revisions

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== Historical Context ==
== Historical Context ==
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In 1769, Hungarian nobleman Wolfgang Ritter von Kempelen embarked on the development of a mechanical speaking machine reportedly capable of producing a diverse range of respectable speech sounds. After two decades of great efforts, Kempelen published a book in 1791 detailing his observations on human speech production and his experiments with the speaking machine.<ref>Schroeder M R. A brief history of synthetic speech[J]. Speech communication, 1993, 13(1-2): 231-237.</ref>
 
 
'''First Experiment'''
 
Kempelen's initial attempt at speaking machine involved basic components mimicking the human vocal tract. Using a kitchen bellows for airflow, a bagpipe reed as the glottis, and a clarinet bell as the mouth, he managed to produce simple vowel sounds. However, the setup lacked the necessary components for constructing most consonants, such as nasals, plosives, and fricatives. Kempelen later shifted from a single-reed design to a multiple-reed approach in his second experiment.
 
 
'''Second Experiment'''
 
The second design resembled a musical organ console, operated by keys representing different letters. Utilizing a common bellows and various shaped pipes, he succeeded in producing several vowels and consonants, including /p/ and /m/. However, the sounds did not blend together in a natural way and vowels in particular came on rather explosively, thus adding a k-like sound. <ref>Dudley H, Tarnoczy T H. The speaking machine of Wolfgang von Kempelen[J]. The Journal of the Acoustical Society of America, 1950, 22(2): 151-166.</ref> Thus, kempelen began work on his thrid design.
 
 
'''Third experiment'''
 
The third approach, resembling the first design, featured enhancements including a rubber mouth, a simulated "throat" with nasal cavities, and additional mechanisms for articulating specific consonants. Kempelen's machine achieved speech in multiple languages, although it struggled with pitch variation and monotone delivery. Despite certain mispronunciations, listeners often overlooked errors, viewing the machine's resonance akin to that of a young child. Nonetheless, the third design marked significant progress from Kempelen's dedicated twenty years study of the vocal tract and speech production.


== Key Innovations ==
== Key Innovations ==

Revision as of 16:35, 14 October 2023

Gourp Member: Yinqiu Wang/ YanhuaLiao / Ziyun Zhang / CantaoSu/ ChenyuLi

Introduction

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Historical Context

In 1769, Hungarian nobleman Wolfgang Ritter von Kempelen embarked on the development of a mechanical speaking machine reportedly capable of producing a diverse range of respectable speech sounds. After two decades of great efforts, Kempelen published a book in 1791 detailing his observations on human speech production and his experiments with the speaking machine.[1]


First Experiment

Kempelen's initial attempt at speaking machine involved basic components mimicking the human vocal tract. Using a kitchen bellows for airflow, a bagpipe reed as the glottis, and a clarinet bell as the mouth, he managed to produce simple vowel sounds. However, the setup lacked the necessary components for constructing most consonants, such as nasals, plosives, and fricatives. Kempelen later shifted from a single-reed design to a multiple-reed approach in his second experiment.


Second Experiment

The second design resembled a musical organ console, operated by keys representing different letters. Utilizing a common bellows and various shaped pipes, he succeeded in producing several vowels and consonants, including /p/ and /m/. However, the sounds did not blend together in a natural way and vowels in particular came on rather explosively, thus adding a k-like sound. [2] Thus, kempelen began work on his thrid design.


Third experiment

The third approach, resembling the first design, featured enhancements including a rubber mouth, a simulated "throat" with nasal cavities, and additional mechanisms for articulating specific consonants. Kempelen's machine achieved speech in multiple languages, although it struggled with pitch variation and monotone delivery. Despite certain mispronunciations, listeners often overlooked errors, viewing the machine's resonance akin to that of a young child. Nonetheless, the third design marked significant progress from Kempelen's dedicated twenty years study of the vocal tract and speech production.

Key Innovations

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Impact

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Future research

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References

To insert a reference, type <ref> and paste the source your exported from Zotero (or whatever reference manager you're using) in the pop up box which appears. Make sure links in citations are clickable using proper formatting. Once you do this, a footnote will appear.[4] and a reference comes at the end automatically. Please use this method to cite for Wiki articles only, not for your thesis.

  1. Schroeder M R. A brief history of synthetic speech[J]. Speech communication, 1993, 13(1-2): 231-237.
  2. Dudley H, Tarnoczy T H. The speaking machine of Wolfgang von Kempelen[J]. The Journal of the Acoustical Society of America, 1950, 22(2): 151-166.
  3. Feng, S., Kudina, O., Halpern, B. M., & Scharenborg, O. (2021). Quantifying Bias in Automatic Speech Recognition (arXiv:2103.15122). arXiv. http://arxiv.org/abs/2103.15122
  4. Glantz, Richard "SHOEBOX: a personal file handling system for textual data." In Proceedings of the November 17-19, 1970, Fall Joint Computer Conference 1970. 535-545. [1]